In part one (0:00-12:00), the guys discuss Scot’s academic background and writing habits.
In part two (12:00-27:10), Tim shares how important Scot’s book, Interpreting The Synoptic Gospels, has been to him.
In part three (27:10-39:30), the guys talk about Scot's most well-known book, Jesus Creed.
In part four (39:30-54:10), Tim shares his thoughts on Scot’s book, A Community Called Atonement.
In part five (54:10-end), Tim shares how impactful Scott's book, A Fellowship of Differents, has been to him
Scot's Wikipedia page with links to all his books: https://en.wikipedia.org/wiki/Scot_McKnight Scot's bio: https://www.seminary.edu/faculty/scot-mcknight/ Scot's podcast, Kingdom Roots: https://podcasts.apple.com/us/podcast/kingdom-roots-with-scot-mcknight/id1078739516
Show Produced by: Dan Gummel
Show music: Defender Instrumental, Tents The Truth about Flight, Love, and BB Guns, Foreknown Bird in Hand, Foreknown Excellent, Beautiful Eulogy Scream Pilots, Moby
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Podcast Date: June 20, 2019
Speakers in the audio file:
Jon: Welcome to this midweek episode of The Bible Project podcast, where we do interviews with scholars that have been influential to the work that we're doing here at The Bible Project.
Tim: Every video that we make at The Bible Project has been in the works for a long time, and usually involves a large stack of books upstream of the creation process. One of the biblical scholars that I actually have been reading and learning from pretty much since the beginning, all the way back since my first year or two taking classes in biblical studies, is a scholar Scot McKnight. He is a scholar of New Testament studies, but also really interested in the Greek and Roman backgrounds, cultural setting of the New Testament, Jewish setting. He's a scholar of everything. He's amazing.
Jon: You might know him from his book "Jesus creed."
Tim: Yes, that's right.
Jon: But he's written a lot of stuff.
Tim: Sheesh. He's one of those authors who once you are over 15 to 20 books...
Jon: You're in a different league.
Tim: You roll over that. I've actually had a chance to meet him a time or two at conferences or different things. But he ended up in town in Portland for an event. And so when I found out, I asked him if he would come into The Bible Project studio, and if I could sit down with him.
So what I did actually was, I went to my library and found every book of his that I own and that I've read. Then I put them all in chronological order and spent an hour retracing my learning journey from that stack of books. And what this interview is, is me going through each book - what I learned from it - but then I get to ask him why he wrote the book, and what he cared about most in writing that book. And it's kind of cool. It was a really fun conversation.
Jon: It was. You get into the mind of an author in a way that we don't typically get to talk about. And Scot's just a really great, humble, and smart guy. It was pleasure talking with him. Here's our conversation with Scot McKnight.
Tim: All right, Scott, welcome.
Scot: Good to be with you.
Tim: We get to interview scholars that I'm reading, and that I'm learning from time to time. This is only the second time we had somebody be able to come here. So we're grateful.
Scot: Oh, good.
Tim: You're here in town for some other things too, but we are glad you took the time. Scot: I'm glad to be back in Portland. It's raining. That's what Portland should be.
Tim: That's right.
Jon: It was snowing earlier.
Scot: I don't call that snow. We know a real snow.
Jon: It's snow for us.
Tim: I've talked about you on the podcast or your work. We've said a bit about you to intro this episode. But you're a professor at Northern Seminary now. Illinois.
Tim: You've been there for a number of years now. Scot: Seven. Yeah, Seven years.
Tim: And you teach courses on New Testament.
Scot: I teach a Master of Arts in New Testament program, where we have a lot of live students. One of my students lives in the Netherlands. I have two DMin groups cohorts.
Tim: Doctor of ministry.
Scot: Doctor of Ministry. And then I do some other courses.
Scot: When the schedule permits.
Tim: And you write a lot.
Scot: I do. I get headaches when I don't write.
Jon: Wow, when you don't write you get headaches.
Scot: Normally, I teach on Mondays. Tuesday through Friday, I'm home unless I'm traveling like this.
Tim: Got it.
Scot: And I'm usually at my computer by 7:30, sometimes 7. And I can usually work until about two o'clock, and then I can't write anymore. Then I read.
Tim: Re-juice the energies.
Jon: That's a lot of stuff.
Tim: Yeah, spent for the day. That's like seven-hour chunk of your day.
Jon: No wonder you're so prolific.
Scot: But I've been doing it for a long time. 35 years.
Tim: You formed a habit in terms of like it's a way of life for you - reading, taking notes and writing. But you love it.
Scot: I don't look at it as some people say, you must really, really be disciplined. I think my response to that is, no, I don't know what else to do with my time because this is what I do. I get up in the morning expecting to write. And I'll take breaks from a book or something. Right now I'm translating the New Testament for university to match John Goldingay's First Testament.
Tim: Oh, you are? Scot: Yeah.
Jon: It's called The Second Testament. So I'll finish a book. Right now in the middle of Mark. When I finished Mark, I have to write a Festschrift article for a professor. So I'll do that. And then I'll go back to translating. That's what I do. That's what I do.
Tim: You've been doing it for a long time. Well, that's great. I and lots of people have benefited from whether it's your habit, discipline, or joy. Seems like it's kind of all of them. There are lots of people who are grateful. And you've helped a lot of people.
Scot: Oh, thanks.
Tim: A lot of people through your... It's a ministry of writing.
Scot: It is.
Tim: I've heard you talk about it.
Scot: At one time it was more academic. But when I wrote "Jesus Creed" in 2004, my life changed.
Tim: I'm going to save that.
Tim: I want to talk about that, when you had that experience. But knowing that you were coming, I kind of reconstructed my encounter with your work throughout my education. So I have a handful of books in person. I have a number of Kindle books. The first time I came across your work actually I was in, I think, I finished second-
year Greek, and I was in a class on Hebrews in English. But I was forcing myself to read it in Greek because I wanted to get better. That was...
Scot: Challenging book in Greek.
Tim: ...an enormous amount of work. The Warning Passages, that terrify many people when they read them - warning followers of Jesus about fiery judgment and these kinds of things. Anyway, so I asked my professor, "What do you recommend?" So he recommended this article. I was just figuring out what articles are. So I go to Trinity Journal, and here it is.
Scot: That's right.
Tim: I actually have a PDF of my original copy. And Scott, I just want to remind you, some pages have only three lines of text, and the whole thing is footnotes.
Jon: 90% footnote
Tim: That's good. That's good. But this is academic writing.
Scot: I spent a whole summer. I was vexed on this problem, and I wanted to work it. And I found a formal approach to the passages. There are four elements in each one—
Jon: Wait, which passage are we talking about?
Tim: There's a network of passages that repeat throughout Hebrews warning, really string of warnings of divine judgment for turning away from Jesus. And it causes theological problems for lots of tradition.
Scot: People can be terrified by it. I mean, Tim, over the years, I've gotten dozens of letters from people who are convinced that they've committed the unpardonable sin.
Scot: And they find out about this because of my article, and I think, "Oh, I don't want you to read that one now. You've obviously felt the terror. We don't need to worry about that right now."
Tim: Yeah, sure.
Scot: I spent a whole summer working on that, and then I taught it.
Tim: Had you been teaching? It was just personally it was a question you needed to solve?
Scot: I taught a course at Trinity called...we called it the leftovers. Hebrews, general epistles, Johannine literature, and Revelation. There was The Synoptic Gospels, Acts and Paul, and then the leftovers.
Jon: That's not what it said in the syllabus, right?
Scot: No. It said...I don't know the number. I can't remember the number. But NT 603 or something like that.
Jon: NT 603.
Scot: And called it Hebrews, General Epistles, and Johannine literature, I think it was the official title. But I taught it. And this is a seminary pretty full of Calvinists. At the midterm, almost every student in the class was convinced of my view. And I remember thinking, "I'm in trouble. I'm officially now in trouble with the Calvinist professors." I mean, it's fair. I wasn't bothered by it. I mean, this is what Trinity was like. And that's become a little eBook...
Tim: Oh, is it the case?
Scot: ...called A Long Faithfulness.
Tim: Oh, yeah. I saw that.
Scot: I rewrote it so it's more readable.
Tim: Oh, really?
Scot: Took out all those long footnotes that you saw.
Tim: Okay. Did you rewrite it just to be less technical for a wider audience?
Tim: That's good to know. That's great to know.
Scot: I wanted to call it A Long faithfulness in The Same Direction, but it sounded like another book.
Jon: Do you get into the blaspheming of the Holy Spirit?
Scot: Sure. Well, blaspheming of the Holy Spirit is from the Gospels. This one is, I call the sin apostasy.
Scot: So you're actually consciously intentionally turning your back on faith in Christ. Jon: Do you think that's what that's about too?
Jon: Okay. Yeah, I think that's what the sin is. And the judgment is eternal judgment. So I'm Armenian in that is I think that there are people who can walk away from the faith and lose what redemption they. That's sort of the argument.
Jon: Well, that's the heaviness you feel when you're reading theories.
Scot: Yeah, it sure does. It scares you. I remember as a high school student, I read it the first time. But I was so assured of assurance of faith so I know it didn't have anything to do with me. But in college, I started reading it. Then when I was in seminary, I went, "Whoa, this is some pretty serious stuff here." But I didn't have to work it out until I had to teach it. And then I couldn't live with the way I was thinking about it, so I spent the whole summer preparing that one lecture.
Tim: Wow. I also remember that this essay was a good model for me just in reading. How to read New Testament Epistles. I had other classes in it. But I think because the New Testament epistles the way they communicate make their points mount arguments, use illustration, is different how we think about communicating. And it takes a while to acclimate to how the apostles make arguments and so on. And so this approach also was a good model for me in reading the epistles as whole lines of thought. And you can't just abstract a paragraph out here or there, but view every paragraph as a networked within all of its...Your point here is there are lots of warning passages. They all illuminate each other. You can't treat one...
Scot: That's the point.
Tim: ...different from how you treat another I think. Well, thank you for that. Scot: Not many people have thanked me for that one.
Tim: Oh, it was helpful.
Scot: It's almost an education in itself is when you work through one passage really carefully, let's just say you give students an entire week to do nothing but read that, work through everything, every question. That's how you get educated. We've got to cover the big picture. No one knows how to do that better than you. We've got to cover the big picture. But you have to dig down at times to figure out how this work is actually done at the deeper level.
Tim: Yeah, that's right.
Scot: And so I think it's been helpful for that. But that was a long time ago. That was a long time ago. It had to be in the 80s. Was it?
Tim: I think it was published in '92.
Scot: '92. I probably gave the lectures in the late 80s before I went publication with it. Tim: So those are some years you were teaching at Trinity in Illinois.
Tim: Was that your first teaching...?
Scot: First teaching position, yeah.
Tim: The next step in this journey of me discovering some of McKnight's work. The next one was a volume in a series called "Guides to New Testament Exegesis." It's a handbook.
Tim: It's a handbook called "Interpreting the Synoptic Gospels: Matthew, Mark, and Luke." Scott, again, I took some classes at Multnomah. But for me, this was the next level. So you were one of my first tutors in teaching me to read the synoptic Gospels. Thank you so much.
Scot: Well, thank you. That's neat.
Tim: I've come back to this so many times. There are many things that were interesting to me. So I think I had only been following Jesus and reading the Gospels for a couple of years before I enrolled for classes. It was all still pretty fresh. And I still so remember my bewilderment at reading anything in the Bible. It was so strange to me. But Jesus was awesome. I was compelled by him and that he was amazing.
So I read the Gospels a lot, but I just constantly had this sense of like, "I don't really have a clue what's going on here on any given page about how to follow a narrative argument, how the portrait of Jesus is advancing and developing, building." It was actually in the same series. Tom Schreiner has a volume on how to read the epistles that I found really helpful. Then I saw in the library, I was like, "Oh, this is a series. Oh, Scot McKnight. Hey, I read him on the Warning Passage in Hebrews." There you go.
And so this helped me immensely, especially the latter half about how each, Matthew, Mark and Luke are developing distinct motifs that are unique, and how to trace a motif through repeated words and themes and ideas, as well as how to compare the Synoptics. I was helped immensely. So thank you for that.
Scot: Wow. That was my first book.
Tim: Tell me about the genesis of this book.
Scot: My PhD supervisor, Jimmy Don, and my external examiner, Graham Stanton wanted me to publish my dissertation. I was teaching Synoptic Gospels. So I sat down to write, start my dissertation and revise it. I worked one day, and I said to my wife, "I'm never going to do this again." I'm not touching this Matthew 10 again. I did my work on that. I don't want to revise it. I want to write something for my students.
So I had been building notes. I was helped by Murray Harris and Richard Longenecker and Walt Lifeheld who had taught Synoptics at Trinity. And there were notes that were passing around. I got permission from Walt to use a little bit of what he had said. And so I started building my own lecture notes on the synoptic gospels. I had just gotten an Apple Macintosh 512k. Are you old enough to remember that?
Tim: I'm not.
Jon: That's the processing power, 512?
Scot: I don't know. It was small. I could type about 25 pages.
Tim: It wasn't one of the neon ones I guess.
Scot: No, way before that. This was a little square box. I could type about 25 pages, and I had to change discs.
Scot: Then it was 512KE, you got an external drive and then you got one outside. Then you could go 100 pages.
Scot: I still have all my discs. Oh. I have a whole drawer full of nothing but these little disks.
Jon: I'm sure they don't work anymore.
Scot: I'm sure they don't. I don't have the computer either. But I started building it, and I would write it out. And because our lectures were a little bit more formal, I would write it all out. The next thing I realized I had something like a book. So at an SBL meeting, I talked to an editor, Alan Fisher, and then his colleague, Jim Kinney at Baker, and they said, "Why don't you be the editor for a series?" So I wrote the Synoptics and then I asked some friends to do the other ones. And we did a little introduction to the New Testament.
Tim: It's like five or six volumes.
Scot: Yeah. And it worked. It was fun. Ramsey Michaels did Revelation. Drew Trotter did Hebrews. A very good book.
Tim: The whole series I ended up getting. There are lots of books on the Synoptic problem, the historical question of relation, but just like reading next level depth reading tools, maybe it exists, but I haven’t found a sequel.
Scot: But what happened is when I was doing Synaptic Gospel Studies, redaction criticism, and literary and sometimes called composition criticism were the thing, and so people were studying, how does Matthew present the disciples, how does Mark present the disciples, Luke. Some people got into John as well. But the Synoptics are distinct. And the synoptic problem was always involved. So that's what I was teaching. And all of a sudden, it all died and it became Historical Jesus Studies. And SBL, the Matthew seminar—
Tim: SBL is Society Biblical Literature?
Scot: Society Biblical Literature shrunk from 125 people to 20. And the Historical Jesus Seminar we're talking the glory days of Tom Wright, Paula Fredrickson, John Dominic Crossen and Mark Bod. I was in sessions where there were over a
thousand professors in one session listening to other professors. Now, professors have big enough egos that you can't get a thousand of them together to listen to one person or anything. And they took over. And all of a sudden, the Historical Jesus Studies took over Gospel Study. And that lasted for almost a decade.
Jon: The first time I heard that phrase was just a week ago. Someone told me... Tim: What's that?
Jon: The historical Jesus.
Tim: Historical Jesus studies.
Jon: ...that it was a thing. And I was like, "I don't even know what that is." I still don't know what it is.
Scot: What it means is...now, this is critical because I define this very carefully. I get into arguments with someone named N.T Wright about this. Historical Jesus is not what Jesus was like. So it's not baptizing Jesus in historical context. It's looking at the Gospels with a skeptical eye, saying, "Not all this stuff was said and done."
Tim: You're talking about the agenda of this academic program?
Scot: Yeah. That's what it does. And they try to find what Jesus was really like over against what the church believes.
Jon: And when I asked the guy who was telling me this, they said, "Well, where else but the Gospels do we have any information about Jesus?"
Scot: Well, other than our gospels, there are some other gospels.
Jon: There are the other gospels. Yeah.
Scot: And there would be Jewish information from the Dead Sea Scrolls and stuff that would filter him. But Jesus isn't there. You've got to use the Gospels. You don't use the Gospels; you're not going to get anywhere. But some people are very generous with non-canonical gospels, the Gospels not in our Bible, and very critical of the canonical.
Jon: Yeah, right.
Scot: So that's what Historical Jesus Studies does.
Tim: Well, that's a great transition for our next stop on the tour. So there were two books. I'm looking at a book you wrote "A New Vision for Israel: The Teachings of Jesus in National Context." You wrote, it published in '99. I was late to the game. I read it in 2006. But I actually discovered this and Jesus creed around the same time. And I think.
Scot: Yeah, about the same time.
Tim: It was probably about 2001 when I encountered Tom Wright's big book on "Jesus and the Victory of God." And then that just began a big rabbit trail for me. And so I just started reading everybody in his footnotes and figuring out historical Jesus stuff. It was my first-time diving into that.
Scot: And Tom Wright's book was so fun to read, right? Tim: Oh, it was amazing to read.
Scot: It was. That was unreal.
Jon: Which one?
Scot: "Jesus and the Victory of God." When I read that one, whoa. It was a new world.
Tim: It was just enjoyable to read.
Scot: '96 or '97 he wrote that book.
Tim: Yeah, that's right.
Scot: Six hundred pages, and it could have been a thousand.
Tim: Yeah, that's right. It's a work of literary art even, just how its organized. Anyway. He's a good writer. So are you.
Scot: This one is not well written though.
Tim: Here's what was helpful for me about it as I was looking through my notes. So maybe this represents...I'm in year 11 now with reading the Bible at 2006. I was beginning to make this turn of understanding Jesus, that to understand his cosmic significance, I needed to understand how the gospels are presenting his historical mission to the Israel of his time. And that his message about the kingdom, his calls to repentance is warnings of judgment. They're not bound to the first century, but I have to first understand what they meant in that moment.
Well, Tom Wrights book did that. This was shorter. And there are a number of points that I felt like you clarified for me that were left hanging after Tom Wright's. Tell me what the genesis of this book and what interested you about these ideas.
Scot: Bruce Chilton and Craig Evans were editing a series. And Craig came to me and asked me if I wanted to write one. And I said, "I will, but I kind of want to do just a book on the teachings of Jesus in his historical context." Craig said, "Go for it." So that's what I wrote.
I wanted to show that the message of Jesus about the kingdom, about ethics, about God, were all connected to the old testament, to the Jewish world, and that Jesus was calling the people of Israel to repent in light of the coming judgment on
Jerusalem for its waywardness. So like Deuteronomy type stuff, you know. That's what I did.
I did not go into how Matthew presents it, Mark presents it, Luke presents it. I didn't do that. I wanted to kind of focus on the teachings of Jesus and still in some ways be relevant for my classes who were studying Jesus. I found when I got to North Park University in Chicago that that book was too heavy for my college students. In fact, I wrote it when I was there. And it was disappointing to me that the book I wrote that I thought they could understand was too dense. So I was not able to use it as a textbook. I had too many unbelievers in my class.
Tim: That's right. You had a spiritually diverse student body.
Scot: Yeah. Fifty-fifty.
Tim: That's right.
Scot: So that book was a little too much for the nonbelievers so I went in other directions. I use more basic stuff.
Tim: This has come up in Jon and I's conversations a lot, and I still think I am still reckoning with this. Because the four gospel portraits of Jesus are claiming universal significance for this story. They're presenting Jesus as a figure of universal significance for the whole world. But the person they're presenting is very much grounded in the dust, the grit, and politics and religious controversies of his day. That's just something to wrap your mind around.
Many people are introduced to Jesus' teachings, especially, completely, like, taken out of that context. And more like Jesus is a moral philosopher. It's how a lot of people encounter the teachings of Jesus.
Scot: A good guy. He's for justice.
Tim: It complicated how I related to Jesus' teachings in the Gospel, but it also made them come alive in a new way too. Jon and I have talked about these things, some, but this book really helped me with that.
Scot: I think I would minimize the gospel authors thinking that they're writing for a universal audience. They're writing for their audience, believing that what they have to say is valuable to other people too. But universal is pretty big, you know.
Tim: I think there's a difference between the universal audience but universal significance - all authority in heaven on earth in terms of the cosmic significance.
Scot: I believe that.
Tim: That's what I mean.
Scot: I think that they believe that this Jesus that they believed in, who was crucified, who taught all these things, told these stories, did these marvelous deeds, who was crucified and raised, and ascended is the world's true Lord. They believe that. But
you're dealing with, in the first century when, let's say Mark is writing in the mid-60s. He's in Rome, let's say. No one knows for sure, but scholars like to think they know. So let's just say '65, he's sitting there writing this book. You know, there's maybe 200 Christians in Rome, maybe 150. Tom Wright thinks 100 when Paul writes the letter 57 AD. So not many.
So they are nobody. They have no power. So they really do believe that Jesus is the Lord and that he's coming back. But things don't look like they're in their favor. And by the time Mark is writing, Nero is whacking people. Maybe Mark writes after Nero. But maybe it's right in the middle of it when he's killing people. Maybe set the city on fire so he could rebuild the inner part of Rome. That's one of the stories that has gone on since the first century. So I think that there was a level of imagination on the part of those early Christians on the significance of Jesus that is boggling.
Scot: I mean, they really thought this Jewish guy who was crucified way out there, you know—
Tim: On the far end.
Scot: You know, Nevada or something like that, New Mexico where hardly anybody lives. And they think he's the Lord. That takes courage and imagination. And they had that imagination.
Jon: And there's a size of like a neighborhood association.
Scot: Yeah. And not only that they're in poor areas. Okay. They probably lived in what's called the Aventine, some of them. If they're in the Aventine, the senators are moving out of the Roman Forum era and moving south into this. So there'd be some Christians there. There could be some mixture with some upper-class people. But by and large, they were where all the poor people are enrolled. There are no rights. They're not citizens. They have no chance. They just keep their mouth shut and they want to do what's right. There was a great movie about Paul last year by James Faulkner. Did you watch it?
Tim: I didn't. I heard of it.
Scot: It's really worth watching.
Scot: I think it has great depictions of what it was like to be a 1st century Christian in Rome. I thought it was good. Faulkner became a Christian doing the movie.
Tim: No joke. Jon: Whoa. Scot: Yeah.
Tim: Wow. It's on my list now.
Scot: It's quite a story. I just heard about it again this week. [00:27:24]
Tim: So let's talk about that imagination, and about how the early Christians and the Apostolic witness came into writing through the Gospels. You wrote a version that wasn't accessible to your students, you discovered - how to present Jesus.
Scott: Yes, college students.
Tim: So then Jesus Creed enters your mind and heart somewhere in there. Scott: 2004, that was published.
Tim: Actually, I just discovered, I remembered today looking for it that I loaned my copy that I first read and whoever have it never gave it back to me. So man, Scott, thank you for the "Jesus Creed." Tell us that—
Scott: That book changed my life too.
Tim: It changed a lot of people's lives.
Scott: All right. So I'm sitting at Willow Creek one day, Bill Hybels is preaching, and he says something about the Pharisees. And I'm sitting there and I just shake my head thinking we have known better than this since 1977 when E.P. Sanders wrote "Paul and Palestinian Judaism." I thought, "He thinks all Jews are legalist. Come on, we can do better than this. Read the Bible, you know."
So I decided write that in there, because I was listening to more and more pastors, the pastors are reading John Wartburg, and Andy Stanley and they're not reading Jimmy Don and N.T Wright. And I thought, "Okay, well, then I'm going to write for that group of people." So I thought, "I need to write something at that level about Jesus because that's what I was writing about and studying." But I also knew this, this was the big moment for me, it had to be spiritually engaging for ordinary people. "So I want to write a book about Jesus for ordinary people that would have..."
Tim: Ordinary meaning they don't like to read books all day.
Scott: Yeah. Not academic. Not pastors. People in the church. People might not even like to read. And I wanted them to understand Jesus in his Jewish world. So the first chapter started, I was having lunch with a pastor at Willow Creek named John Ortberg. I said to John, "Are you going to preach at Christmas this year?" He said, "Yeah." I said, "What are you going to preach about?" This is in November. He says, “I have no idea.”
He said, "Do you have an idea?" I said, "Yeah, I think you should preach about Joseph." He said, "Why don't you send me some stuff about Joseph." So that day, I went home and I wrote 15 pages on Joseph, and I sent it to him. The next morning, I
get a three-line letter, typical John Ortberg letter, "This is great. Send me one on Mary." I wrote back, "John, I am not your graduate assistant." I wrote that.
Then, this is no kidding. That became the template, the template on Joseph." But I wrote it 19 different times till I found a template. It grew to 35 pages.
Jon: A chapter on Joseph?
Scott: A chapter on Joseph. It would have been way too...I mean, that's probably eight times bigger than the chapters. I discovered that the right pace was about 2,200 words. And it had to have at least one story, maybe two. My editor wrote me and said - I'd sent her some chapters "Quit trying to prove things. Your audience believes you. Just tell us what you think." I went, "Oh, I'm not used to this. I want to build a case." She said, "No case. Just give me the conclusion and move on."
Jon: Oh, interesting.
Scott: She was an amazing editor, little Copen, and she pushed me and rip chapters apart. One chapter, she wrote a great big green X on it. She said, "This whole chapter sucks." So I worked on it. Originally it was going to be something like seven habits of Jesus followers or something. And we went back and forth on titles. I wanted to call the book, then, The Jesus Creed, and they did not like that title. They wanted The Creed of Jesus." Well, my editor sent it back to me with no approval for Jesus Creed. It had to be the Creed of Jesus. And I didn't like it. So I knew the next layer would go to a different editor, so I just changed it put it "The Jesus Creed", send it to the next editor. And when my original editor got it again, she had no problem with it.
And that book put me in all kinds of churches all over. I spoke to pastors. And that was the book that changed my life toward writing for the church and for laypeople. But the other side of it is I learned how to write, edit in a different way. I mean, 19 times on Joseph. There was a reason for that is because I didn't know how to write for that audience.
Jon: It's writing for a popular audience.
Scott: Yeah, yeah. My wife calls it that I have two kinds of books. She calls them readable books and unreadable books.
Scott: I had to move it to a readable book.
Tim: That was the process. The passion that comes through in that book is the Jewish heritage of Jesus and the early Jesus movement is not some cultural set of shackles that the early Christians were freed from. It was the biblical heritage that shaped Jesus. And that is actually still shaping us, his followers through him. It's a Jewish heritage. And it's beautiful. And hit me Square between the eyes.
Scott: I was teaching two classes back to back. Jesus of Nazareth, eight o'clock in the morning, 50 students in the classroom. Then I would walk across the hallway to a senior seminar on the Christian Spiritual Formation. And we were reading a book on
Christian spiritual formation. And as I would walk from the Jesus class, to this other class, I would say, "The person that we're going to be talking about now has nothing to do with what Jesus was talking about." And it happened so long that I said to myself—
Jon: Wait, sorry, I wasn't following. The person who wrote the book...?
Scott: Okay. So we were reading a book by Richard Foster called "Streams of Living Water." And it goes through six spiritual formation traditions in the church. And each one of them focuses on one person. So I'd start thinking about that person, I'd think, "Well, that's really good stuff but it has nothing to do with Jesus in his Jewish world." So it started working backwards. I kept thinking, "So how would Jesus have framed spiritual formation."
One day, I was sitting there thinking, "Well, he's Jewish, every morning, every night he say’s Shema. So I'm going to start with this." So I decided to explore Shema in the Gospels. And I was shocked at how often if you're looking for it, you can see it. And I don't think it's artificial to see it in certain context. For instance, the Lord's Prayer starts out with God and then it's others. That pattern is not in the Kadesh, the Jewish prayer, that's like it. There's nothing about others. It's only about God. So he had to add the second part.
When you look at the Jesus Creed, "Hear, O Israel: The Lord our God, the Lord is one. Love the Lord your God" starts it off from Deuteronomy 6. But Jesus adds "Love your neighbor as yourself" from Leviticus 19. So he's added that in two different locations that are very important liturgically, religiously for Jews in the 1st century. So I began to trace this theme.
Then the other thing that happened to me, I decided I was going to try to do this the way Jesus did. That every morning when I put my feet on the ground, and every night when I took my feet off the ground, I would say the Jesus Creed. And I learned it in Hebrew so that I felt superior [laughter]. I would say it every day. Then I made a commitment. I did this for maybe a month that I made a commitment that every time it came to mind, I would repeat it again. And I found myself saying it 40, 50 times a day.
Scott: And to this day, I say it all the time. And I think that's the secret to it, is that you repeat this over and over, not as a form of vain repetition or recitation, but as a reminder. And if you say this often enough, before long, you find yourself interacting with someone saying, "Okay, I need to be like Jesus here. I need to love my neighbor as myself." It makes a difference.
Jon: What is it - not in Hebrew, in English?
Scott: Hear, O Israel: The Lord our God—
Jon: Oh, so it's a Shema and then it's a Jesus version of it with...?
Scott: If you use Mark, "Hear, O Israel: The Lord our God, the Lord is one. Love the Lord your God with all your heart, with all your mind, with all your soul, and all your strength. The second is this, love your neighbor as yourself. There is no commandment greater than these."
Scott: And that second half is from Leviticus 19. I found this in Paul. I find it John. I find it in James.
Tim: Totally. It's everywhere.
Scott: It's tipped off when they're quoting Leviticus 19. Quoting Deuteronomy 6 is very Jewish. Quoting Leviticus 19 in connection with Deuteronomy 6 or the Shema is pretty distinct. I mean, John is obsessed with the word love. He didn't get that on his own.
Tim: Yeah, that's right.
Scott: And Paul says a couple of times, "If you love your neighbor as yourself, you fulfill the law."
Tim: The Torah.
Scott: That's big stuff. That's not small—
Tim: What you're saying is this was so foundational for Jesus that the later apostolic writings don't even need to quote it as such. It's in the deep structure of their thought and way of talking.
Scott: That's right.
Tim: I mean, sometimes the most formative ideas on us, we don't need to talk about them explicitly. They just form our vocabulary of thinking. And that's what you're saying about the Jesus creed.
Jon: That was a novel thing for Jesus to mix up Leviticus - what is it? 19?
Scott: I say that. I say that Jesus' combination of Deuteronomy 6 with Leviticus 19 is distinct to Jesus. No one else combines those two texts. The testament of the 12 patriarchs does combine loving God and loving others, but no one quotes Leviticus 19 in combination with Deuteronomy 6 before Jesus that I'm aware of. And I don't think we will because he was the first one to say it.
Tim: Yeah, that's right.
Scott: But I think he is the first one to say it.
Tim: Probably of all of your writings, that one has had the longest afterlife and transformations. There's a children's book based on it. There are study guides.
Scott: Of 40 days that were coming out with a 15-year Edition this year. Tim: Awesome.
Scott: I wrote a new chapter for it.
Jon: How many times did you write that chapter?
Scott: I just had to write this one once. I knew had to edit it over and over. But my editor read it and said, "I love this. It's approved."
Jon: That's what happens when you're 40 years into a writing career.
Scott: When you've done it enough.
Tim: Having looked back on your career and ministry of writing, does that kind of stand out as a gem moment in terms of your journey?
Scott: I mean, it's number one. When people say, "What's your favorite book?" it's always, "The last one I wrote."
Jon: Or the one you're writing.
Scott: But that one I think was a life-changing book for me spiritually, and for my ministry, and teaching. I was speaking at a place about the Jesus Creed, and a bookstore manager said, "Is this your first book?" I said, "Well, it's actually my 18th." I said, "Obviously, you've never heard of me." He said, "That's right. I've never heard of you till today."
Tim: Wow. What a journey. Well, again, thank you.
Scott: My favorite story is John Wooden the great basketball coach at UCLA had a copy of Jesus Creed.
Tim: He reached out to you?
Scott: No, he didn't. But he is MY HERO. I grew up saying Johnny Wooden is the greatest coach in basketball.
Scott: So he had a copy. Tim: That's awesome. [00:40:10]
Tim: Well, keep continuing the journey. This is really enjoyable. I think the next book of yours, as far as I can reconstruct, because I write the little dates inside was a book
called "A Community Called Atonement." I was just beginning to come on staff at the church we had been attending for a couple of years, and I was beginning to be asked to teach classes and occasionally preach. It was in the Gospel of John series I got assigned a passage in John about the Son of Man dying and being exalted. And so I wanted to read up on atonement and my language about the cross. I got a four views book that I realized, like, "Oh, my gosh, this is like a really hot topic."
Scott: It’s called the atonement wars.
Tim: Totally. I got four of these books, and then I got this volume. What was formative for me, there's a lot of things that were helpful here, but was formative was actually this chapter called "which is the fairest of them all." So you've gone through the whole book saying, "You can talk about the apostles represent the cross as a victory, as a sacrifice, as an example of love, different ways that they frame it." And then it was your way of addressing, do we have to privilege one over the other or is there some deep underlying common denominator that's true of all of them? And so you have this phrase that "the atonement is Jesus identifying with us so that we can be incorporated into him." And then you build on that. But that was very helpful for me and formative. So tell me about the genesis of this book, and what your ideas were in it.
Scott: Okay. This book was a total accident. I was asked by Tom Wright for the Nashville SBL, The Society Biblical Literature meeting for the Historical Jesus Seminar to give a five-minute introduction to the death of Jesus so that the other main scholars would do the talks. And I was just going to give a five-minute introduction. In June or July, Tom writes me a letter and says, "And you'll give the first paper." And I wrote back to him, I said, "Tom, I thought I was given a brief introduction." He says, "No, in my notes, I'm going to do that and you're going to get the first paper." So I said, "Well, I'm going to get busy."
So I spent that until SBL working on a taxonomy of how different Jesus scholars understood his death, and how Jesus understood his own death according to scholars. At the end of it, I came to a conclusion that Jesus thought his death was atoning. And I told a historical Jesus scholar this, and she said to me, "That's impossible. That's too theological." So I was like, "So Jesus can't be theological? Then what's the point?" So I decided. I decided to write a book on my sabbatical to prove that Jesus thought his death was atonement.
Tim: That was Jesus and his death?
Scott: Yeah. I wrote a big academic monograph. And as I was working on that, I was asked to do a more popular version of a different kind of book. So this book came out because Tom Wright took bad notes. And I would never have done that. I was going to work on prophecy.
Jon: Now, was this in the mix then when Tom wrote a book on atonement? Scott: He wrote his book after that.
Jon: After that.
Scott: That little book on Jesus and evil. Jon: No, it's just like on atonement. Scott: Oh, that's real. That's real new. Jon: That's real new.
Scott: That's three years ago.
Jon: Got it.
Tim: Talk about how writing and presenting this, was it just distilling convictions you already had or was there some discovery process for you?
Scott: I had to expand it because the other one was very much a historical Jesus book with New Testament theology, but very academic, and trying to not get in involved too much in the theological debates. But I wanted to put this together. And I was convinced, number one, that the battle that was going on was very unhealthy that people had locked down that there was a central metaphor that everything else was secondary. That the primary...
I remember Tom Shriner, a friend of mine, saying, "The central metaphor is penal substitution." I remember thinking, "No, it's not. If you start reading different authors, not everybody talks about death of Jesus that way."
Tim: By authors, you mean the New Testament authors?
Scott: The New Testament authors. "Not everybody talks about it that way. So let them talk the way they do." So as I was teaching you this one day, I told a story about playing golf with a guy who only had one golf club. And I thought this was blasphemous. I thought, "This guy is so lazy, he doesn't want to carry a bag of golf clubs. So he just took this thing and he adjusted it."
Jon: Like he took the head off?
Scott: No, the head adjusted. He goes two-iron, four-iron, six-iron. Jon: Oh, I see. That's fun
Scott: And all the way at the top is a driver, you know, a one or whatever. And I thought, "That's wrong." I was teaching and I said, "Some people think that you can carry one golf club and get to all the atonement theory with one." And I said, "I carry a bag of clubs, and sometimes I need a wedge, sometimes I need a five-iron, sometimes I needed three-wood, I always need a putter, you know."
So I said, "The atonement is like that. We need a full bag of clubs to know which image to use for which audience at which time. Because every image of atonement, whether it's the victory of God, whether it's Jesus bearing, or shouldering our sin, our burden, our guilt, whether it is reconciliation, whether its forgiveness, redemption
is a different term. That's the purchase, justification." Every one of those actually has a different solution to a different problem. So we need all of those.
And the New Testament authors, this is one of their greatest acts of imagination. They could not find enough ways to talk about the achievement of Jesus' death. That's what I tried to bring out in the book. But I do think it can be reduced to, I call it identification for the sake of incorporation. He identified with us, to bring us into life with him.
Tim: I mean, in a way, that's trying to get underneath all the metaphors to a deep structure underneath it.
Jon: Why do you think penal substitution became the primary metaphor in the modern church?
Scott: Because of this. This is the way we preach the gospel. We preach the gospel— Jon: But why has that become the way of the gospel?
Scott: That God is mad at us. It evokes the response that we're looking for.
Scott: We've learned to preach the gospel to achieve the most decisions. And we learned the most decisions could be achieved if we run it all through this theory of penal substitution. Now, most evangelists don't know that that's what they're doing.
Scott: But that's the evangelistic methods
Tim: Well, you just pointed to the next book on the stack here. "The King Jesus Gospel" was the next book of yours I read. So let's just make this a clean...
Scott: You're skipping a lot of books.
Tim: I know. I haven't read all your books.
Scott: This was my favorite.
Tim: "The King Jesus Gospel," tell us about this.
Scott: I wanted to call it, "In the beginning, Was the Gospel." But my editor, he would have no part of it. I still think it's a better title. Because I think in the beginning was the gospel. We don't have any New Testament till the first years of gospel.
Tim: What problem are you addressing there?
Scott: When I was when I was in high school, I got involved in evangelism, and I became convinced that what we were doing in evangelism was not right. I was just unsettled. And I was unsettled even more when as a college student, I encountered Dietrich
Bonhoeffer's "The Cost of Discipleship." I thought, "This guy gets it. Jesus calls us to be disciples. He's not calling us to make decisions." But what I wanted to do then was preach a gospel that called people to be disciples, but I didn't know how to do it.
Then I was unsettled with how we frame the gospel. And I was asked to give lectures in South Africa at the University of Stellenbosch on the gospel of the apostles in the book of Acts.
Tim: Those were like the speeches?
Scott: ...Peter, and Paul. And I said—
Jon: They never quite say it the way I hear it in church.
Scott: That's right. And I said, "There's the gospel." And when I read that, I looked at 1 Corinthians 15, which is an outline of the same thing that Peter and Paul are preaching. And then I thought, "Well, the Gospels themselves are the gospel."
Tim: How did we get into a scenario where's the Gospels summary bears little resemblance to the books called Gospels?
Scott: It's amazing. And I've had people tell me that the gospels are not the gospel. We don't know the gospel till after Pentecost. And I go, "Whoa. Boy, you put Jesus in a tough spot."
Jon: Jesus was in the dark.
Scott: My sarcastic line for this is "Poor Jesus, born on the wrong side of the cross didn't get to preach the gospel."
Scott: And unfortunately, there's some truth in that. It might be sarcastic, but it's because I'm telling you something I think is pretty important here. This is the first edition. In the second edition, which is a paperback, I added a chapter because I knew something, but I wasn't completely convinced. So I needed to do more work. And so I gave a lecture in Canada, and at that lecture, I traced the history of gospel preaching. So I spent an entire year reading evangelistic sermons.
Scott: You're not going to find any until America and the great awakening, you know...well, Jonathan Edwards and John Wesley, George Whitfield, Finney, and D.L. Moody and Billy Sunday, and then to Billy Graham. Prior to that, people were categized into the church. They had national churches. So they grew up in the Gospel. So I studied this history of evangelistic preaching, and Tim, I was amazed.
Scott: Finney would preach sermons, sometimes he had 37 points. There’s no four pointers. And a course—
Jon: We have come a long way.
Scott: We've reduced it. Jonathan Edwards is never going to preach a four-point sermon. Not like that. And Whitfield. And so I started studying this and I realized that what they preach for, I think you could say it was regeneration, and a total transformation of a person's life as they surrender to God in Christ. Then I got into Moody, and Moody preach the same thing. Both Moody and Billy Sunday, basically, were almost social transformationists. They were trying to get, especially males, to get their life back together, quit drinking alcohol all the time, quit getting drunk, quit visiting women that you shouldn't be visiting, and give your life to God. And that will make America a better nation. So both Moody and Sunday were very much a national message.
Then I saw a huge difference with Billy Graham. And I loved Billy Graham. But Billy Graham, and Campus Crusade, and Henrietta Mears, she gave away...Billy Graham crusade gave away six million copies of her book. And at the end of that book, she has this outline of "The Four Spiritual Laws."
Scott: So I got a librarian, a professional librarian to work—
Jon: What the is Bible is all about?
Scott: What the Bible is all about. I got a librarian to work with me, and we got back to the original documents of Henrietta Mears. She did not have this.
Scott: This four-point, she got it from Billy Graham and from Bill Bright, and Campus Crusade. And that's where we got our four-point sermon. Prior to that, no one knew that.
Tim: The Four Spiritual Laws?
Scott: The Four Spiritual Laws. No one knew that gospel.
Jon: Is that like, you're a sinner...?
Scott: Yeah. God loves you. You're a sinner. Jesus died for you. Accept him into your heart. That four-point evangelist sermon—
Tim: It comes out in mid-20th century, you're saying in America?
Scott: Yeah. Probably the 40s and 50s. That's where it begins to grow.
Scott: This was remarkable to me because even main liners think that's the gospel. Tim: Sure.
Scott: Because they've all heard it from Billy Graham. And he's changed the lives of many, many people. And I'm grateful for that. He's not saying something wrong.
Tim: But what you're observing what the word "gospel" refers to in generations mind, it has shifted over time.
Scott: Dramatically. The original gospel was to tell the story of Jesus. And if you listen to that story, the Spirit of God works and calls people to repentance, and to baptism.
Jon: So what's your one-liner for what is the gospel?
Scott: See, that's the problem, right? The one-liner is Jesus is Lord.
Tim: Well, this is an observation you make is even in the New Testament, the different summaries, different details based on the audience—
Scott: But it's all about Jesus. It's telling people about Jesus.
Tim: That's right.
Scott: And Tim, you've probably heard me say this. I taught 17 years Jesus of Nazareth to college students. I saw hundreds, at least 100 of college students give their life to Jesus because they love Jesus of the gospels. And so our friend Dan Kimball writes a book "They Like Jesus But Not the Church." That is so true. I found that with students all the time. They wanted to hear about Jesus. So tell them.
Jon: So tell them.
Scott: Tell them about Jesus.
Jon: How many books do you have, Tim?
Tim: Well, there's this one, and then another Kindle one. Two more. Jon: Let's do it.
Tim: The next book of yours that came across was, I was assigned a number of sermons in a preaching series through 1 Corinthians. So then I'm just deep dive into Paul. That was a great season of learning for me. It was around the same time period that you publish "A Fellowship of Difference." And it's exploring in a practical, funny way, essentially, Paul's vision of the beloved community of the unified body of Christ. In terms of my years of reading, Paul, my perception of Paul was like the heavy-duty theologian, and don't sleep around and be holy, and love each other. That was my, you know, baseline perception.
And over the years, it's become so clear to me for Paul, the unity and commitment of love and mutual support of diverse communities wasn't just an add on for Paul. It
was central to the expression of the gospel in his mind and heart. And so that's what you're after in "A Fellowship of Difference." Tell me more about this book.
I wrote this book for my seminary students. I started writing this as soon as I hit Northern Seminary. I wanted to write a book on the Christian life for my Paul class. So I started working on this. But so I loved it when you said, it's his vision of the beloved community. Because for me, it was a vision of the Christian life, which is a vision of church life. So the original title was "Life in a Salad Bowl."
Oh, right. That's your main metaphor. Yeah, that's right.
And my editor hates salad so he's like, "I can't work with this." I said, "Oh, come on. It's good."
That's clever. That's clever.
So I wanted to show how everything Paul teaches about the Christian life is actually teaching how people are to live with one another. It's not about how you can relate to God, personally, all the time. It's not about in that sense about how you can go practice solitude. I think Paul believed in all those things. His fundamental category that he operates with is what kind of virtues do we need to have to be able to live together when we are as different as we are? So that's where Paul started. And then the private, the personal things come into play. So it's not an either-or. But the starting point for Paul is how to get people who are different’s, E-N-T-S, living together and liking it. That was the challenge.
And this was, I think, a challenge unlike anything that we ever saw in the Jewish world, and certainly that we saw in Athens or wrong because they did not mix like this.
In the opening chapters, I remember looking back through my notes, you talked through...I forget what scholar whose work you're quoting. You were profiling—
Peter Oaks probably.
Peter Oaks, yeah. And just, you know, an average house church in Rome who shows up. You 15, 20 people whose sitting there. It was so imaginative in terms of a slave, some Macedonians, there's some Jews, there's some Greeks who had been going to Synagogue.
Homeless people. Some homeless people. Workers in the house. That's right.
Slaves. That's a house church. He got access to a major villa in Pompeii, and he went through all the archaeological records of what was there, what they could find. Even DNA stuff. And they came to the conclusion of who would have been involved
Scott: Tim: Scott: Tim: Scott:
in that. Then he knew it would be slightly bigger in Rome so he expanded it to a few more people.
But we have a totally sanitized view of what church is like, because we come to church, and we come supposedly ready to worship and sing, and listen. This is at someone's home. They are in an atrium. It's the only place probably they could meet. If it wasn't a very large group, they could meet in a room. And in the atrium, that would have been open ceiling, water, if it's raining, coming down in a pool in the middle. And they're gathered around this pool in the middle and they're talking. And it's people who live there. And maybe some, some homeless people who are staying there, and maybe some converts who live in another house who can get free for that time of worshipping together. It's unlike anything.
I know I've been in one church like this in Champaign in Urbana, Illinois. And I thought to myself, "This is a 1st-century church." The pastor didn't even have a membership. He said, "Anybody who puts their name in our address book is a part of our church." I said, "Jews and Christians?" "Oh, yeah, Jews and Christians. They come here and they're part of us." And it was a total free for all - homeless people. They fed 400 people a week. Those people came to church. In some ways it was scary. Because I thought, "I don't know what's going to happen."
Jon: You can't control it.
Tim: Thank you. I mean, you were among a number of scholars that helped me begin to imagine that, and it is scary.
Scott: It's is, yeah. It's not safe.
Tim: That's right. And how Roman neighbors would perceive this like that. There's guilds for the blacksmith to get together. People get together at the Zeus temple. This is unlike anything that's appeared in my neighborhood. And so I may be curious if I'm a Roman onlooker - what? I'm scandalized because slaves and upper-class people are eating together.
Scott: They are eating together. Jews—
Tim: That doesn't fit on my mat.
Scott: No. And think about this. I mean, almost any day of the week, anybody is Villa, if it's a normal home, say in Pompeii or Rome, is also the business. So people would come in during business. This is why Paul says to the Corinthians, "If someone comes in and you're speaking in tongues, they're going to think you're nuts." Well, that's because visitors walked in. Because this is a business. It's not a church building. It's a house. Their house is a business.
Tim: Your atrium is your storefront.
Jon: It's your marketplace.
Tim: That's interesting. I hadn't heard that before. That's fascinating. We could talk at length about all of these things more. Just the last thing to name...Actually, I have a
Scott: Tim: Scott:
Jon: Scott: Tim: Scott:
number of other books on Kindle. We can talk about "The Blue Parakeet." The other one about the phrase the kingdom of God.
Kingdom Conspiracy. However, what I'd like to talk about last, I'll let you pick Kingdom Conspiracy, or your commentary on the Sermon on the Mount, which seemed like a culminating work of a lot of years of reflection on the Sermon on the Mount. You pick. Kingdom Conspiracy, or your commentary on the Sermon on the Mount.
"Kingdom Conspiracy" is controversial. I talked about it one time. So I'll do a Sermon on the Mount.
Sermon on the Mount. I remember, because you have a blog that you've been very active on for many years, and you did a series many years ago after I just read one or two of your books, long series of posts on the Sermon on the Mount. I've actually printed them out to collect them because you would do different...And then at the end, I was like, "That's kinda like a small commentary on the Sermon on the Mount." And it was very helpful for me over the years, and it was an active resource.
Then, when you publish a commentary, I realized like, "Oh, he just put together a culminating work at least a reflection on that passage."
So tell me about the Sermon on the Mount in your life.
I grew up in a church that did not preach from the Gospels. My pastor only preached from the Pauline Letters, except at Easter and Christmas, he's bringing a Gospel passage.
That sounds like my first tradition.
So when I got to college, I was told by someone I have no idea - I am eternally grateful for this - to read Dietrich Bonhoeffer. As a college junior—
It is kind of college author to discover. Oh, I don't know.
It's dense reading.
Oh, man, he blew me away. When I look back at it later, I thought, "I have no idea what I understood when I read that." And he had that long section on the Sermon on Mount. So when I got to seminary, and I didn't have classes in the summer, one of the first summers I spent doing nothing but working through the Greek text of the Sermon on the Mount and studying. I really studied hard the meaning of Makarios blessing. Went through the whole Septuagint. I didn't know Hebrew, so I couldn't do it in Hebrew at the time. I studied that and I began like a file of information in my head, and I loved the Sermon on the Mount.
When I began to teach, I taught a course on Jesus and discipleship. They had a big section on the Sermon on the Mount. And I taught a couple of courses over the years on the Sermon on the Mount. So I was thrilled. When the story of God Bible Commentary came out, and they asked me which book of the New Testament that I wanted to write a commentary on, I said, "The Sermon on the Mount." And the editor says, "That's not a book, Scott. That is a part of a book." I said, "I'm