Podcast Date: April 07, 2017
Speakers in the audio file:
Jon: Hey, this is Jon from The Bible Project. Today on the podcast, we're starting a new
podcast series on a really big topic in the Bible. We asked our supporters to vote on
the next biblical theme they'd like to see us make into a video, and the winner was
"The Day of the Lord."
The Day of the Lord is a biblical theme that runs all through the story of the Bible.
Biblical authors use it to describe when and how God intervenes in human history, to
rescue people from oppression.
Tim: The biblical authors, they have a deep conviction that one true God of Israel's
creator, and He's the King of history, and that history has a purpose and a goal. And
so, there's coming a moment where if God's a good Creator of all, He will defeat evil
once and for all, and rescue the innocent and vindicate the righteous and bring
about a new creation.
Jon: In this first episode, Tim and I are going to set the stage by talking about the
Kingdom of Babylon. The origin story of the Kingdom of Babylon is an important
part of the biblical narrative, and it's something most of us miss. So what's the deal
with Babylon, and The Day of the Lord? We'll discuss that today. Here we go.
So we are doing a new theme video that was voted on.
Tim: Yes, yes.
Jon: It's the first time we got to do a vote and everyone who's a supporter of the project
voted. We got 2,500 votes, and the winning theme was The Day of the Lord.
Tim: People are interested in end of the world apocalyptic scenarios, I suppose.
Jon: Yeah, super interesting to think about.
Tim: And for many people, that's what's The Day of the Lord refers to.
Jon: It's about the final day of judgment.
Tim: Yeah, where every human stands before God and has a verdict rendered over their
life, and they are assigned to one of two eternal destinies. I think that's the—
Jon: The category that we have.
Tim: Yeah. And maybe all of the horrible things in history that lead up to that.
Jon: Well, I think actually what's interesting is when you use the phrase "Day of the Lord,"
when people talk about that, they don't use the phrase "Day of the Lord" generally.
Tim: That's true. That's interesting.
Jon: They use the rapture, tribulation, and end times.
Tim: Oh, got it.
Jon: Is the main phrase, right?
Tim: Cataclysm of history.
Jon: So the phrase "Day of the Lord" already kind of is helpful in that it doesn't have that
baggage necessarily, but I think that's probably what people still tend to think about.
Jon: But for me, I don't have this robust understanding of this phrase, "The day of the
Lord" so I don't really have a good category to put it in. So I'm hoping it's a little bit
fresh still that that category can be molded.
Tim: That's good. By the way, the biblical authors actually use the term.
Jon: Yeah, hopefully.
Tim: It's interesting. We'll kind of work through where the term originated from. This is
one of those things where studying a theme like The day of the Lord, you can't just
study the phrase. The phrase occurs all over different sections of the Bible, mostly in
the prophets, Old Testament prophets, but the origins of the idea and where it's
rooted in the biblical storyline actually starts way, way in the beginning in the first
dozen or so pages of Genesis, and it stretches all the way to the last couple pages of
the book of Revelation.
It's a phrase that appears all throughout the Bible and an idea that permeates the
whole Bible, which is why we chose it as a theme video.
Jon: So the phrase is really just one way to talk about the idea?
Tim: Yeah. Just to put it all together in just one intro sentence or short paragraph, The
Day of the Lord is a phrase that refers to a bigger theme arch throughout the whole
Bible about how God is at work in history to confront human evil, specifically on the
collective human evil, like the evil of societies, and empires and how it ruins and
destroy whole societies and people in the world.
The Day of the Lord is about moments in history when God confronts collective
human evil, and it's always associated with some act of liberation for the people who
suffer under that evil society or empire.
Jon: The oppressed people.
Tim: Yeah. And so, when God acts in history to confront evil and redeem the innocent,
that is how God brings His kingdom or asserts His rule over all of creation. So The
Day of the Lord is associated with all these different things, but basically, about how
God is King of history, that He won't allow human evil to last forever; He will defeat
it, rescue the innocent and become the gracious King over all of the world.
Jon: The way you're describing is like an ongoing type of event, but it's called The Day of
Tim: Yes. We'll have to talk about the way the Old Testament prophets specifically, who
wrote the narratives of the Old Testament and then the prophetic books, they
viewed history in a way that modern Westerners we have to make some adjustments
to the way we think about things to adopt their view of history. Because we think of
the moment at the end of history when every human stands before the Great White
Jon: And they don't think about that?
Tim: Well, the prophets assume that that moment's coming, but they take the language
and imagery about that hope, and they use it to describe moments within history,
specifically within Israel's history.
Tim: Then Jesus and the apostles used it to describe moments in their history. And it's
always pointing towards the ultimate event. And it's almost like they view that The
Day of the Lord almost like...we don't use overhead projectors anymore. So I don't
know if anybody—
Jon: A product of the 90s.
Tim: Yeah, the late 80s and 90s. About transparencies. But think about a transparent sheet
of plastic that has images on it, that you could overlay images on top of each other.
And so, something about the base images of that God's the Creator, He's good, He
won't allow evil to last forever, there's coming a day when He'll confront it forever
and ever. Amen.
Jon: End times.
Tim: The end times, yeah. The end of time as we experience it in the beginning of the
beginning of the new age and the new creation. The transition from the world as we
know it into the world as God intended it in the new creation, what's that transition
like? It's going to have to involve some sort of justice on all of the horrible evil that's
been done in human history.
The biblical authors all just assume that but they will also use the language and
ideas, images, metaphors of that final act of justice and use it to describe things
happening, like the downfall of Babylon in 539 BC.
Jon: They call that The Day of the Lord?
Tim: They will also call that The Day of the Lord, yeah.
Jon: They think of it as like an end times kind of event?
Jon: Like this age is ending kind of thing?
Tim: It's interesting. Did David actually think he was a sheep when he said, "The Lord is
my shepherd, I shall not want He leads me..."
Jon: Probably not.
Tim: I think the prophets could fully distinguish between the fact that Babylon falling to
the Persians in 539 BC. But was it the end of the world? But in another sense, it was
the end of the world as they knew it.
Jon: The world order changed.
Tim: The world order changed and as they experienced it, it was a huge empire over
much of the ancient Near East.
Jon: That's hard to imagine. I've never lived through something like that. But if that
happened here, if all of a sudden America fell and whoever took over, it would feel
like a completely new reality.
Tim: Yeah, apologies for our American-centric worldview to people listening outside the
US. But yeah, anytime a great empire falls to the people who were under the thumb
of that empire, or who lived in it, that the world's ending. We're invited into it's the
ancient Israelite Jewish, Christian biblical view of history that's very different from
Eastern worldviews that have a cyclical view of history. You know, Eastern worldviews
that have like a karma pattern or cycle built into the universe.
So biblical history, that is Jewish and Christian, is linear. It has a beginning point, it's
finite, it's moving in a certain purpose direction, and there are moments that change
everything and move it all in a new direction. And so the biblical authors all except
that history is going somewhere and that God as the creator of time and all things is
going to move things towards a positive end.
There's an ultimate moment when God will confront evil, but there are also moments
within human history where evil powers fall, and the world changes as a result. These
are the kind of moments that are described with this phrase, The Day of the Lord.
Tim: You could use—I didn't make this up, I forget where I first learned it—of little d days
of the Lord and then the capital D, Day of the Lord. The capital D being the final
judgment. But then the biblical authors will use the language about capital D Day to
describe little d days in their own life experience.
Jon: The Day of the Lord is a final day when the created order turns over to be what God
intended it to be. But in order for that to happen, there has to be this reckoning of
Tim: Yeah, yeah. The biblical view of history is all is not as it should be. The world as we
experience it is not the way it's supposed to be.
Jon: And that's the big D Day of the Lord?
Tim: So, there's coming a moment where if God's good Creator of all, He will transition
things into a renewed state of creation where life and love and justice and beauty
reigns the day.
Jon: So if someone comes to you and says, "Let's talk about end times, final judgment,"
they're talking about the big D Day of the Lord?
Tim: I think in a common Western theological language popular level, people think end
of the world, Day of the Lord, end times, and they think of that.
Jon: Like my mother in law knew we were doing this theme and she came to me and she
said, "Oh, you're doing Day Lord, so you're going to talk about end times?" That's
kind of what her mind was at. Like end Times, tribulation.
Tim: Which is shaped specifically by a couple hundred-year-old tradition rooted in a
theological movement called dispensationalism. So yeah, that all gets wrapped up
into this idea of rapture and the antichrist and one world government and
Jon: Kind of regardless of how that's going to happen, there is—
Tim: Yeah, right. But that's what comes to people's mind.
Jon: That what comes to people's mind. But there will be a day or there will be a moment
in human history when this age ends, and there's a new age?
Tim: Yeah. This is a core tenant of Jewish and Christian hope, that no matter what
subgroup you belong to, everybody agrees on this.
Jon: And that's the big D Day of Lord.
Tim: The big D Day of the Lord is the moment when God confront evil, removes it from
His world, and He restores and heals it into a new creation. What the biblical authors
do is they take language associated with that day and use it to describe moments
within our experience of history where evil doesn't get the final word and where
good and justice does happen.
A good metaphor, that again, I didn't makeup, it has a long history in biblical studies
is of a mountain range. If you live in Portland, you can look east, and you see one of
the towers of the cascade volcanic mountain range, you see Mount Hood. If you go
up to the West Hills above Portland, you see Portland in front of you and then
Mount Hood in the backdrops. Majestic. Google it, it's really amazing.
Jon: Google Earth it.
Tim: Google Earth it. Yeah, you can fly around. Leading up to Mount Hood is this chain of
foothills that go out through a town called Damascus, and then Sandy, and then
Rhododendron, and Zigzag. So when you're in Portland looking out towards Mount
Hood, all those foothills kind of merged together and they become this kind of
indistinguishable, greenish terrain leading up to the mountain. But it's ascending up
to the mountain
Jon: With its own summit.
Tim: It all looks kind of hazy. And what dominates the perspective is Mount Hood. But if
you were to take a quick helicopter ride south to Silverton, you would be right in the
middle in south and you would be looking at it from exactly the side direction. Then
you would see, Oh, there's Portland in the valley, and then it does slowly rise up to
Sandy. And that's a really distinct range of hills.
And then oh, there's long...actually, it's like 20 miles between Sandy and
Rhododendron. So you see the space between these. It's the best metaphor I've ever
heard of the way—
Jon: So when you're in the middle of history, it's like you're looking at the mountain
range from one perspective?
Tim: The prophets, it's like you're standing overlooking Portland and all of history, with
the mountain dominating your perspective. That's what it feels like to read the
books of the prophets.
Jon: Got it.
Tim: You can see, like, "Oh, yeah, there's foothills, the fall of Babylon, but what dominates
your viewpoint is that this is one small hill leading up to Mount Hood.
Jon: Because it talks about anything and not include Mount Hood when you're looking at
that perspective is weird because that's the main feature.
Tim: Yeah. Look at this. There's a famous poem in Isaiah chapter 13 where he talks about
the stars falling from heaven and the mountain shake, and there's fire. I mean, it's
like the end of the world. Then in the poem, he says it clear as day he's describing
the fall of the city of Babylon to the Persians in 539 BC. He says it in the poem itself.
But he's using the language about poetic imagery about the quote "end of the
world" to describe that event.
That's the kind of thing that the prophets do. This is what Jesus does when he
predicts the fall of Jerusalem in the Gospels. He actually quotes from that chapter of
Isaiah that described the fall of Babylon. He uses Isaiah's poetry to describe the fall
of Jerusalem, but he does so in this cataclysmic language.
So this is just the way the biblical authors speak. Our experience of living in history is
within the chain of foothills, and what we see are the event, the hills ahead of us—
Jon: We like to really distinguish between all the foothills.
Jon: It's like we want a lot more clarity. Like, "Are you talking about fall of Babylon or are
you talking about the final judgment?" And they're kind of like, "We're just kind of..."
It's all kind of melding together and somewhere?
Tim: Yeah. Because the biblical authors just think so differently than the modern
Westerners does. They think in terms of these big plot lines of how God is at work in
history. It's a figural interpretation of history.
In other words, they view certain key events as being these key images or figures
where you have clarity about, that was an act of God. And then that moment in
history becomes fixed and you use the language of that event to describe future
events that are like that.
Jon: And they do that with the Exodus?
Tim: They do that with the Exodus and they do that with the rise and fall of Babylon.
Actually, the rise and fall of Egypt, the rise and fall Babylon are the most important
biblical stories to understand The Day of the Lord, and why Jesus talks the way he
does about Jerusalem and it's fall and why John, in the book of Revelation, talks
about the rise and fall of Rome. But he never says Rome anywhere in the book of
Revelation; he only uses the word Babylon.
Jon: But he's referring to Rome.
Tim: But he's referring to Rome and more than Rome at the same time.
Jon: This seems really important to understand. You said it's different than the way we
think, so I just want to take a moment and try to make sure I'm thinking this way.
Jon: What I heard you say was...what's the word you used? Figural?
Tim: Figural. I like the word archetype because I think it's a little bit more familiar to
English speakers. If something is an archetype, it means it's like the prime example
of which there are many other types of examples but they all fall under the umbrella
of the perfect example.
And so, in the biblical authors, way of viewing history, the rise and fall of Egypt, the
rise and fall of Babylon become archetypes of how God is working in all of human
Jon: Because in Egypt, God takes down an evil oppressive empire?
Tim: Frees His people to live under his kingdom and rule.
Jon: And Babylon is thought of as this large oppressive evil empire?
Tim: Mm-hmm, that has exalted itself to the place of God.
Jon: And so, that also needs to be taken down?
Jon: And when it is people who were oppressed are freed?
Jon: And so, that became an archetypical way – is that the right word?
Tim: Typical archetypal.
Jon: That becomes a way to describe what God's going to do to the whole world order,
and how He's going to rescue all people who are oppressed. And that's The Day of
Tim: Yes. That's the end of the world. In the Book of Revelation, it's described as the fall
of Babylon, and why the prophets often use language of the 10 plagues of Exodus.
Oh, let's just go for the last book of the Bible again.
The Revelation describes all of these waves of divine judgment in all of the sevens in
the book of Revelation. It's the 10 plagues put in...
Jon: It gets recycled.
Tim: It gets recycled. So it's when God confronts evil, ultimately, He will do it, it will be the
fulfillment of what he's been up to for thousands of years now.
Jon: He's already been doing this.
Tim: He's already been doing this. That's right.
Jon: And if we want to think about what it's going to be like, ultimately, let's use the
language of the stories when He already did it in a micro way.
Tim: Yeah. I know we can think of a good analogy. We all have these in our histories,
where maybe you have a formative moment from your childhood—
Jon: I was trying to think about that.
Tim: Think of a childhood bully.
Jon: Yeah. You stood up to the bully or you did it and then your life and you think about
the new bullies that you have to stand up to—the boss or the neighbor or whatever.
But the childhood bully becomes the archetype.
Tim: My dad, my whole growing up would always, once or twice a year, bring up the story
of Freddie Fitzgibbons. Freddie Fitzgibbons his bullying and like whatever, 4th grade
and pummel him and beat him up. And for the rest of his adult life, my dad was on a
mission to overcome all the Freddie Fitzgibbons in his life. Actually, it's not a silly
example. It was very serious to my dad.
Tim: Freddie Fitzgibbons was an archetype.
Jon: That's an amazing name.
Tim: Should I believe him?
Jon: I know. It sounds made up? Oh, man.
Tim: But then, as you go on through your life experience, everything gets filtered through
that formative bullying experience as a kid. So your lame boss or your mean
manager at work becomes a Freddie Fitzgibbons. Something like that is what's going
on in the Bible's view of Babylon and Egypt and The Day of the Lord.
Jon: But you could take it even further, because in the Bible you're saying that God
actually was at work at in the fall of Pharaoh and that in the same way, God will also
be at work. Freddie himself is not at work, he's a new boss.
Tim: Yeah, that's right. Yeah, that's just my brain that's making a correlation. So this is
why in the Old Testament, what we call the history books are in Jewish tradition
called the books of the prophets, Joshua, Judges, Samuel, Kings, and why Moses is
described as a prophet because it's retelling the story of Israel but from the
prophets’ point of view.
So it's the prophets who make these connections, that when Babylon fell, there was
a moment there that wasn't just significant in terms of geopolitics but something
about God's work in the world and through the story of Israel. I can't claim to have
that vantage point and interpret history myself and current events. There are some
Christians who do.
Jon: What would be an example of that?
Tim: I think like a Pat Robertson and Jerry Falwell type who would see an earthquake or a
certain downfall of a country, and then claim that they could see God's hand behind
it, and give reasons for why God would do that.
Jon: So the prophets would say, "This happened for this reason and it's a picture of
what's to come ultimately"?
Tim: Correct. Yeah, the prophets look at Babylon falling to the Persians and they say,
"Yeah, you had it coming. The kings of Babylon claims that they were God. Of
course, God's going to take them out."
Jon: Everyone's life can be thought of as a story that has these kinds of archetypal
moments of a call to adventure. And then you cross the threshold to a new world,
and there are these new realities you have to battle...
Tim: Milestone moments where you gain new skills or new understanding.
Jon: ...mentors that come to help you. And then you got to fight that thing that you
dread, and then you die and are born again into kind of a new season of life. And
that's what best stories are about. And there's something mythic about that, that
when it happens in our lives, we think in these big categories of fighting our dragons
and being called to this adventure, and it helps make sense of it.
Tim: In Israelite Jewish tradition, the liberation from Egypt, the defeat of Egypt is
memorialized as that kind of event every year at Passover. The Jewish people for
millennia have been reliving the archetypal deliverance and defeat of evil in that
They have this ritual meal that retells the story Passover. Of course, that was the
meal that Jesus chose to reshape the symbols to communicate the meaning of his
death. So that's Jesus tying in his own story to this archetypal event. Then also the
destruction of the temple by the Babylonians was memorialized with the day of
fasting on what's called The Ninth of Av or Tishah B'Av.
This is actually a great example. 587 BC was when the Babylonian invaded Jerusalem
and destroyed the temple. We don't know when, but not long after there was a
period of fasting that Israelite people did to mourn and grieve the loss of the
But then, in later Jewish history, in 70 AD—what is that? Separated by 600 years of
history, the Romans, as Jesus predicted, came and destroyed Jerusalem and the
temple. Then in later Jewish history from there, those two temple distractions got
merged together in this ritual morning, every year called The Ninth of Av or Tishah
On this one day, if you're Jewish person observant, you mourn the loss of the temple
to the Babylonians and to Rome. Even though they were at different times of the
year, they didn't happen on this day, but you put them together as an archetypal
moment where God allowed the nations to overcome His own people.
Jon: So it's like we create these milestones, we celebrate moments, and we think about
prop up moments—
Tim: Or moments of loss.
Jon: Yeah, loss or good things to help make sense of life. So, whether that's defeating a
bully when you're a child. My family for a while, we had a very tragic event when I
was in high school and so every year, we would just kind of memorialize that day.
That would be the same kind of thing as fasting because of the temple being
destroyed. Although we would eat a meal, we wouldn't fast. But it helps kind of
And they become these moments that then you anchor things around. So connect
that then to this idea of Day of the Lord.
Tim: The biblical authors, the prophets, who both wrote the history books of the old
testament and the prophetic books, they have a deep conviction that the one true
God of Israel is the Creator, and He's the king of history. And that history has a
purpose and a goal, and that if you have eyes to see, you'll see key events in history
that are strung together by these connections. And they all fit into this pattern and
That's what the biblical story is training your mind to do is to see history of this way,
and to see it all leading up towards the great day and hope when God will liberate
His creation and world from human evil and corruption, defeat evil once and for all
and rescue the innocent and vindicate the righteous, and bring about a new
And so, these archetypal moments, ritual moments, feast days in Israel's calendar,
and then the Christian calendar that flows out of it because Jesus of Passover, and
then Pentecost—these become these ways of bringing order to our story. That's not
a corporate level. Then what you're saying is, we also find ways of doing that as
individuals too. I think it's creating patterns of time.
This is January 2, 2017, that we're recording this. I was just thinking about this. Now,
I was trying to explain this to my five-year-old son, why this day matters. Like, why
do we call that day December 31st and this day January 1st? It's not inherent to the
universe. There's no like January 1 molecule. It's arbitrary. This is a structure humans
have imposed on time. So there's something inherent about that cycle that the year
should begin and end with that cycle.
Jon: What part of the cycle should end?
Tim: Why shouldn't January 1st be June 1st? And so, it's a human construct placed upon.
And that doesn't mean it's arbitrary, it's anchored in realities like the revolution of
the earth around the sun.
In the same way, the prophets are claiming that this framework of viewing history in
light of the biblical worldview, that it tunes you into a divine intent, a divine purpose.
That God's guiding history and that key events in history will give you clues about
the history's meaning. And therefore, the meaning of your life—how our lives fit in
to the bigger story.
That's a good conversation. I didn't actually anticipate we'd talked about quite this,
but this is really foundational for how the biblical authors think about history.
Jon: So I'm imagining I'm one of the prophets and I'm looking at my history of my
people, and there's always stories I get a perspective, a divine perspective of the
importance of these stories. One of the stories is God rescuing us from being slaves
in Egypt, bringing justice to this oppressive people, and then bringing us into
And I realized, "Oh, wait, not only did God do that for us hundreds of years ago, but
that's what God's going to do for the whole world, eventually." And so, God kind of
gives me that perspective of that those things are very similar. Now when I go to
write about what it's going to be like when God comes to do that for the whole
world, I'm using the language of the Exodus story.
Tim: Of the Exodus story and the defeat of Egypt and the 10 plagues, and then the
destruction of Pharaoh and his armies in the waters.
Jon: Because I want you the reader to understand that it's the same kind of activity.
Tim: That's right. Whenever a similar kind of evil rears its head, nations and empires and
rulers who don't acknowledge that they are under God's authority, and they—
Jon: "And I want you to make that connection so much, I'll call it The Day of the Lord."
Tim: Yeah, that's right.
Jon: Even though it's not going to be the ultimate Day of the Lord, it was a day of the
Tim: So where does this idea begin? We kind of have to start before the phrase get used,
The Day or the day of the Lord. We have to start with The Day of the Lord is about
God confronting evil, where did evil come from and why does God have to confront
evil? You have to at least try and summarize what's going on pages 3 to 11 of
Jon: When is the first time it's used? You usually have that trivia question.
Tim: That's true. It's interesting. If you're reading through the Bible, both in traditional
Christian order or in Jewish order, the first time you come across it is in the Book of
Jon: It's pretty late in the game.
Tim: Yeah. The first time you come across the phrase "Day of the Lord," historically, if you
to rearrange the prophet into chronological order, it would be Amos. Amos chapter
5, I think. But the idea is way older. The idea of "the day," or a particular day or time
when God confronted evil as being this archetype moment, that is rooted in the
Exodus story itself. So Exodus is first time.
Jon: Not with Babylon?
Tim: Yes, but in a very sophisticated literary way.
Jon: So it's important to the theme, but this idea of "The Day," hasn't developed yet?
Tim: This idea of a day, when collective human evil gets confronted by God, that's right in
the first pages of the Bible. And that's where The Day of the Lord theme begins.
Jon: And that's chapters 11, Tower of Babylon.
Tim: Typically, in Christian tradition, when we talk about the fall, we think of Genesis 3 in
the garden and the fruit and expulsion from the garden and so no. That's true, the
word fall is never used in that story.
Jon: That's interesting. Where did that word come from?
Tim: Oh, it's a long history. I don't know off the top my head.
Tim: But it's a fall from the good that was possible but that was forfeited. I prefer the
term "rebellion." It characterizes more accurate what's going on in the story. Humans
were given a call to trust and they went rogue...Rogue One.
Jon: That's a good rebellion, though.
Jon: You could think of the kingdom of God as a rebellion against Babylon.
Tim: Yeah, that's true.
Jon: And so, in a way, the kingdom is the rebellion.
Tim: It's the counter-rebellion.
Jon: But in Genesis 3, humans rebel against God kingdom.
Tim: Yeah. Remember the whole theme of the image of God? Humanity is the royal
image of God. God wants to rule the world through His image-bearing creatures,
humans. It will take creation somewhere on God's behalf.
So humanity has to depend on God as they try and define good and evil, as they go
about ruling the world and humans decide they want to see that knowledge for
themselves. What's important is that Genesis 3 just in its literary design is closely tied
to the story in Genesis 4, which is all connected. It's cascade of horrible stories.
Jon: From Genesis 3 to 11?
Tim: Yeah, all the way through chapter 11.
Jon: It's the whole section.
Tim: Yeah. You can't separate any one story from what comes before or after, or else you
dismantle the whole thing.
Jon: So you got the fall, and then banishment, and Cain and Abel, and the flood.
Tim: And then Cain building a city full of violence and murder, then the sons of God and
the flood story, then the building of Babylon. And they're all connected.
In Genesis 3, humans distrust God, they rebel and don't do what God asked them to
do. The tragic result is that the two humans, all of a sudden...The first casualty when
the humans take from the tree, it has nothing to do with God. It has to do with each
of them. They can't trust each other so they put on clothes to protect their naked
bodies from each other.
So now, all of a sudden, that these two humans define Good and Evil on their own
terms. Maybe you and I don't define Good and Evil the same way. And then that full
vulnerability of naked and no shame is fractured. And so, the clothing of hiding their
bodies from each other is this very powerful image of the two humans that were
meant to be one flesh are now disconnected from each other. Then also, then
immediately, their intimacy with God is disconnected. And the bad guy in that story
is the serpent who deceived them.
So the next story is about two brothers of Adam and Eve.
Jon: Cain and Abel.
Tim: One brother is jealous against another, and God says to Cain, "Hey, listen, sin is
crouching at your door; its desires for you but you can overcome it." It's a very
similar story of God approaches and says, "Hey, now you've got a choice. What are
you going to do?" And it's not a serpent crouching at your door, it's sin. In this
parallel fall story, the serpent gets swapped out for this more abstract concept of sin.
Jon: Which is like crouching?
Tim: Yeah, but it's depicted as an animal who wants to eat you up, wants to devour you.
Jon: Like a crouching tiger?
Tim: Yea. Hidden Dragon. Sorry, it just came out. I'm sorry. You're the one who said it so I
had to complete the movie title.
Jon: Yeah. I get this picture of the tiger just like really low through the high grass coming
up on the Zebra.
Tim: And so, Genesis 3 and Genesis 4 they're mutually interpreting. You have to read each
story in light of each other. So what is that serpent? Well, it doesn't say in the story
except that it's a creature in rebellion against God.
But then in Genesis 4, we learn more. It's sin come to life, so to speak. It's the
principle of failure and missing out on something's purpose or mark. A deviation
from what God intends. That's what's crouching.
Then here's what Cain does. After he murdered his brother, he's banished like his
parents were and then he goes and built a city. And that city is where metalworking
and music, all kinds of technologies are developed in his city, which is awesome.
We're going, "Yes, humanity is subduing and flourishing."
But then, Cain’s violence is repeated by a descendant of his named Lamech, who
sings this poem to his multiple wives about how someone insulted his honor by
slapping him until he murdered him on the spot. And he says, "If you thought Cain
should have been avenged seven times, then me, 77 times."
Jon: Because Cain was protected by God?
Jon: So Lamech is saying, "Hey if Cain got away with it, I will get away with it."
Tim: That's right. "If Cain got away with murder and God said, "If anyone murders Cain,
avenge seven times," then, me, 77 times."
Jon: It's taking God's grace and using it as license.
Tim: Yes. And he's celebrating murder, whereas Cain murdered and then felt horrible and
brother's blood crying from the ground and he's instantly convicted. But Lamech is
celebrating his own violence. And that characterizes this whole city that Cain has
The next main story is in Genesis 6, the sons of God, which is not just a rabbit hole,
it's a black hole. Speculation.
Tim: But whether it's rebellious angels who have sex with women, or royal descendants,
kings, lines of kings because the phrase "Son of God" elsewhere in the Bible can
refer to kings who are acting just like Lamech of collecting women for themselves.
Whichever interpretation is right. I have an opinion, but whatever. It doesn't matter
The point is, in the story, it leads to more violence. The prelude of the flood story
says, "God looked at the world it was corrupt and full of violence. So violence from
Cain, to Lamech, to The city of Cain, and now to the result of the sons of God is
Jon: It's spiraling out of control.
Tim: The death of the innocent is spiraling out of control. You get the flood story, again,
rabbit hole or black hole. But the whole spiral culminates in the story of Babel—the
building of the city of Babel in Genesis 11.
Jon: We just skipped a bunch. Genesis 6 is sons of God. The flood takes place in Genesis
Tim: Genesis 6 through 8. In the beginning of 9 is Noah's recommission.
Jon: And then, Enoch's in there somewhere.
Tim: Yeah, Enoch's earlier in chapter 5.
Jon: Okay. Then what happens in 9 and 10?
Tim: Well, 9 is Noah gets off the boat and gets drunk, and then that mysterious thing
happens in the tent with Ham. Then Noah utters a poetic blessing and curse on this
three sons, which then plays out, his three sons, Shem, Ham, and Japheth, and then
those three sons become this umbrella over the table of nations in Genesis 10. It's
kind of like, you know how books, like fantasy books, will always begin with a map of
Jon: Yes, the map of the known world...
Tim: So Genesis 10 is the map of the biblical world, so to speak, of geography. But not
just geography of people, groups, and where those people group stand in
relationship to God and the people of God.
Jon: And then in Genesis 11, all of them come together?
Tim: Well, no. They're actually out of chronological order because Genesis 10 already
presumes all these people groups and languages and so on.
Jon: Genesis 11 it's before they've scattered.
Tim: Yeah. Genesis 11 depicts its vision of collective humanity coming together to build a
city and a tower so that they don't get scattered all over the land.
Jon: Okay. So this is the important story that begins the theme for us. All of that
discussion of just 3 through 11 is to help see how the Tower of Babel is connected to
the series of stories that are all describing the fall of humanity—the rebellion.
Tim: In each story, the circle of influence and the casualties keep the circle widening and
widening. It's like a ripple effect. More and more humans are getting caught up in
Jon: So this is the climax of it?
Tim: This becomes the climax and nobody actually dies. It's the least violent story in
Genesis 3 through 11. But that's because it's making a different point in.
Jon: The flood is a much bigger circle than—
Tim: Yeah, totally. We should just do a podcast discussion on the flood. I've stack of
books I need to read. Not about the debates and—
Tim: No, more about its theological meaning in the storyline of Genesis. Anyway, the
circle keeps widening. Genesis 11 is the capstone which you think would be about
this murderous...It's all been about violence and murder. Genesis 11 is about
building temples, ancient temples, and cities.
And so, it becomes this backward glance at all the stories about, what is it the
humans are doing as they exalt themselves in defining good and evil for themselves?
And that leads to violence. And so it's the building of the city of Babel. The Hebrew
word of the name of the city is Bavel.
Jon: Bavel. I was just reading that chapter.
Tim: Yeah, Bavel.
Jon: It's a V?
Tim: Well, it's spelled with a Hebrew letter B or bet, but in certain pronunciation forms,
you say it like a v instead of b.
Jon: Oh, which is similar to Hebrew word that—
Tim: For confusion.
Jon: For confusion. What's that Hebrew word?
Jon: Balal. They speak one language and in that unified effort, they build a city and tower
and God says, "Nope, you're not going to do that," and He balal Bavel.
Jon: Yeah. So wordplay.
Tim: Yeah, it's wordplay.
Jon: He balals Bavel.
Jon: But the whole city is called Bavel.
Tim: Correct, yes.
Jon: But there's one particular tower that they are building?
Tim: Whole city and one tower. Well, there are a few key things about this. First of all, it's
humans unifying in these efforts and the technology that they are developing is
described in detail in the story. That instead of just stacking stones and using
Jon: That's so old school.
Tim: ...they mass produce uniform size bricks and then you star. This is in ancient
Mesopotamian architecture. You can build things way taller and way faster.
Jon: The brick revolution.
Tim: The brick revolution. So there's a technological development, which isn't inherently
bad. But last time, humans were developing technology in Cain's city, it led to a city
of murder and all that with Lamech.
Jon: The music lead to murder?
Tim: Well, no, but it's tied. It's like, "Here's the city, all these great developments," and
then Lamech, "Ah, I killed a man."
Jon: So it didn't lead to it.
Tim: That's a good point. But technology in the hands of people who define good and
evil apart from God leads to the city of Cain and murder. In this case, it's human
technology tied into a certain kind of pride. Because what the humans do is they
build the city and then a tower that goes up to the heavens.
You get the image. We're here on the land, I want to be up there in the heavens,
build a tower to get there. In modern English, that just sounds like, "We want to be
closer to the sky, I want to see further. Mesopotamian's really flat." But in the ancient
world, these kinds of towers had a whole different—
Jon: Being high in the sky, that's a great place to be. Like your vantage point is much
better. There's a power and authority that comes from it.
Tim: You feel something. You've had this experience recently.
Jon: Yeah. I was telling you about being in New York and being on the 44th story of The
New York Times Building, and you look down and there are just these tiny little cars
and tinnier little people just crawling around on the street, and you just feel above it
all. It just makes you feel kind of powerful, even though you're not. You're the same
person. You're just higher up. And I just started to imagine, "If I had an office this
high, I would make totally different decision on day to today."
Tim: Would it be good for your soul?
Jon: No, I don't think it would. I don't think it would. I would like—
Tim: You'd think too highly of yourself.
Jon: Yeah. But I think in New York if you're going to have a powerful hedge fund or
something, you kind of have to do that. You kind of have to feel invincible. But yeah,
there's something about that. Then also military reasons for having the high ground.
Then there's the whole thing about, where does God live? God lives in the sky.
There's that ancient...The word Heavens and the sky is the same Hebrew word.
Jon: So there's this kind of, where is God's domain? It must be something like the sky.
Tim: When the biblical authors and other ancient authors in the same cultural
environment depicted God as the supreme God and Ruler of all, that's when they
would depict God as being in the sky. He can look down.
Jon: Yeah, you're looking down at everything. He's in the high rise.
Tim: One of the most well-known things about ancient Near Eastern Mesopotamian
Babylonian architecture is these buildings that are being referred to here with the
word tower. It's very flat. It's the Delta region of the Euphrates River. So royal palaces
could get pretty tall, and then temples.
Jon: Those would be the tall building?
Tim: Yeah. Which would be the forerunners of the pyramids, these step structures that
have four corners all at a diagonal leading up with the long ramp or stairway. Then
on the top, there's some kind of platform and up there is a temple facility where
sacrifices are offered, and only the priests and royal officials can go up there. So it's
a sacred space.
Jon: So do they think of this one, this tower as a temple or did they think of it as
something else? Because they weren't building it for a god? They were building it for
Tim: I think the story assumes that you know this.
Jon: You know what these structures are?
Tim: Yeah. Where the narrator leaves it is what the people say is, "We want to make a
name for ourselves. So come let's build a city and a tower that reaches up to the
skies." Whatever it means, it's about humans elevating their honor, their name, their
power up to the place of the gods. And that's what the story says. So we can infer
more and wonder what kind of ziggurat was it?
Jon: Ziggurat being?
Tim: Being the name of this kind of temple.
Jon: The structure you were talking about?
Tim: Yeah. The biblical author knows about these structures; ancient Israelites know all
about them. Point is, is this tower is humans exalting themselves to the place of the
Jon: And that's the culmination of all of these?
Tim: It's culminating event of the Genesis 3 through 11 rebellion.
Jon: Which all these stories have a bit of pride tied into them.
Tim: Yeah, that's right. That itself is significant. The name of the city, in our English
translations, this is translated as Babel. What's interesting is that Hebrew word in the
hundreds of times that it appears throughout the rest of the Old Testament, it's
never translated as Babel, except in that one occurrence in Genesis 11. Everywhere
else it's translated as Babylon because that's what the word means.
Jon: Bavel is Babylon?
Tim: Bavel is the Hebrew word for Babylon. Bavel is Babylon.
Jon: So when you're referring to the ancient Empire Babylon, and Hebrew that's Bavel?
Tim: Bavel. In any period—
Jon: That's what they call Babylon?
Tim: Yeah. When Babylon much later is going to come take out the Israelites, it's called
Bavel. In Hebrew, it's the same word.
Jon: How did that end up becoming Babylon, Bavel? Why didn't we just use a
transliteration and just or whatever and call it Bavel?
Tim: Because of for other Israelite neighbors, like Moab or Amon—
Jon: We don't change that.
Tim: Yeah, we don't change that. That has to do with the history of the English word. I
don't know. We'd have to look it up in the Tyndale translation to see. That would be
the first English rendering of the Hebrew word. The Tyndale was the first English
translation that was made public.
Jon: Anyway, the word Bavel translated in Genesis 11 isn't Babel?
Tim: It's Babel. What that does, is that hides from most English readers the fact that this is
Babylon. This is the founding of the city of Babylon?
Jon: What do you think? Do you think it'd be more helpful for it to be Babylon?
Tim: I do. And then put in a footnote, the word rhymes with the word confusion.
Jon: Because Babel, has that always been a word to describe confused language or did it
become that way because of Tyndale?
Tim: That's a good question. And I also don't know the answer to that. I do know that if it
is then it's another example. There are many of English words or phrases that have
entered English through the early English Tyndale and King James translation that
wouldn't be an English except for the Bible.
Jon: If Genesis 11 had been translated Babylon, we wouldn't be having this conversation
trying to help people understand that it's the same Hebrew word.
Tim: The reason this is significant, a couple things. First of all, ancient Babylon existed
long before it ever came to destroy Jerusalem.
Jon: Yeah, to be this big war.
Tim: It was a powerful nation way back. Even before Abraham, there's a famous king of
Babylon called Hammurabi, and he wrote a famous law code that he said he
received from the gods of Babylon and so on.
Babylon had been around but it was not a powerful empire the way it was later in
Israel's history. But the fact that the author of Genesis has chosen the founding of
the city of Babylon to be the climax, the archetypal climax of humanity's rebellion
against God is very significant.
Jon: You're supposed to think of this city as pretty bad news.
Tim: Yes. So violence has been reigning from Genesis 3 up to it and now we get the
diagnosis of what's the problem of the human psyche, individually and collectively,
that's leading to this horrible rebellion. And it's Genesis 11, this self-exaltation,
turning human structures into gods.
Jon: In modern reformed Christianity, the fall is all about that individual decision to eat of
the fruit. But just as much, the fall is also the story of, in Genesis 11—
Tim: Tim: This very corporate.
Jon: It's a corporate towards becoming like God as an empire.
Tim: Yeah, taking our way of life, our economy, our whatever, our technology, our
collective interests, and accomplishments, and then elevating them to the place of
the gods, to a place of divine status of worship. I mean, that's what the tower is, it's
the center of worship.
The biblical diagnosis of the human condition in Genesis 3 to 11 is really
sophisticated. It's personal, the way it affects individuals, and then marriages and
families, cities, communities, regions, and nations. Every one of those gets analysis
gets its own story.
I mean, it makes sense. Like a damaged marriage, or a damaged relationship
between two neighbors, that's bad, but it only affects a handful of people. But when
a whole society elevates its own values and definitions of good and evil to divine
status, then people start dying.
Jon: An entire people groups become oppressed and there's a lot of bad stuff.
Tim: We move on to the next step then with Egypt. But to kind of bring this to a loop
then, Genesis 11 also lays the foundation of Babylon is an archetype because it's the
first depiction of collective human evil. But it's also Babylon is where Israel is going
to end up at the end of this long narrative arc that stretches to the end of the Book
of 2 Kings.
Abraham is going to get called out of the scattering of Babylon in the next chapter,
Genesis 12, and then his family is eventually going to end up back in exile in Babylon
because Babylon destroyed Jerusalem and took its people captive. So Babylon is
both at the beginning and ending of the big biblical story of Israel in the Old
Testament and at both ends of the story, it represents this—
Jon: It represents the rebellion at a civilization level that becomes arrogant and corrupt.
Tim: Yeah. And it's not the last time that Babylon exalting itself to a divine status. That's
going to be an important motif all throughout the Old Testament, in the prophets
and so on. It's going to continue. So Genesis 3 to 11 is crucial for understanding the
Day of the Lord. Genesis 11, the phrase "Day of the Lord" isn't used in this story, but
as we're going to see—
Jon: But The Day of the Lord is coming to confront evil.
Tim: Yes, to confront this problem.
Jon: And this is the problem?
Jon: Genesis 3 through 11 is describing the problem that the Day of the Lord needs to
Tim: Correct. Yeah, that's how this matters.
Jon: Thanks for listening to this episode of The Bible Project podcast. Next week, we'll
continue our discussion on the Day of the Lord.
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